My work retells history across the past, present, and future through a single visual language. Inspired from Renaissance history, where artists visualised Biblical or historical narratives, I shift the subject matter. Instead of idealised bodies or divine order, my figures are caught at moments of rupture and release.
The compositions remain classical, but are pushed through distortion, urgency, and contemporary tension. The “liberated smile” recurs as a marker of the point where control gives way to freedom.

These paintings function as modern history paintings they don’t preserve perfection, but question it. Traditional scenes are replaced with speculative ones: new prophecies painted as if they have already occurred, drawing on imagery from the Book of Revelation.
Influenced by Renaissance ideals of perfection and order, the work redirects those expectations toward liberation instead.

All paintings are available for enquiry only.